HW: Blackheath
Carl Edlund Anderson
cea20 at CUS.CAM.AC.UK
Wed Jun 11 17:17:28 EDT 1997
On ons 11 jun 1997 15.12 "Mark Edmonds" <mmje at MMJE.DEMON.CO.UK> wrote:
> This early 80s phenomina you refer to was indeed most puzzling and I
> never knew what the cause of it was.
I always felt the RCA albums were rather dodgy.
> This wasn't helped
> with releases like Zones or This is Hawkwind - not that they are bad
> albums but they didn't seem to have much new creativity in them (most of
> it was recycled of course).
Zones was pretty grim, though _This is Hawkwind_ was almost worth it
for the rocked-up Psi Power :)
> Unfortunately, Xenon Codex was a major let down and the only
> decent track which I still listen to is Wastelands of Sleep (although
> the beginning to the first track is really exciting).
Actually, I like a lot of Xenon Codex. I even like the Good Evening
track which people usually slag off. It was humorous :)
> Then came Space
> Bandits and no Hugh! Bandits I thought was a really terrible album and I
> can't even remember any track names off it. We also had to put up with
> Bridgit Whotsit (Wiseheart?) who had a terribly weak voice and seemed
> totally out of place.
Actually, I thought "Images" was easily the best track off the album.
I didn't think much of the rest of it. "Out of the Shadows" ruled live,
but sucked on _Space Bandits_.
> I was beginning to get disenchanted and things
> only got worse with Palace Springs!
Blasphemy!! :)
Palace Springs is one of my top HW albums, along with Doremi, Space
Ritual, and HotMG! "Acid Test" is, admittedly *really* awful. The rest of
it I like. The "Assault & Battery/Golden Void" on it is one of my top HW
tracks!
And on the last few albums, Alan had some great tracks: Sputnick Stan,
LSD. And his collaborations with Brock I liked as well: Right to Decide.
On the other hand, I thought he mucked about with synths too much. In
an ideal world I wouldn't let Brock near them either :) I'd hire on Del :)
Cheers,
Carl
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